You
could say St. Elmo was a serendipitous accident. It certainly
wasn't on my list of book ideas, nor in my plans for books to
be done in time for the rapidly approaching Miniature Book
Society Conclave.
I
have photographed thousands of images over the last 30 years.
I certainly don't remember all the photos, much less all
the places I have been. But I did recall one striking image
of frost-encrusted leaves that I wanted to use in a one-of-a-kind
book for the annual Miniature Book Society Auction. And I
was looking for that image when I came across photographs
of a ghost town high in the Colorado mountains. When I saw
the images I knew immediately they would make a great book.
Once the idea took hold I knew what structure and papers
to use. I saw the completed book in my mind (Not all ideas
develop so easily!). I wanted to work on this
idea a little before it disappeared, as some ideas seem to
do. Everything just fell into place for St. Elmo. I did an
Internet search to learn more about the town and was surprised
how much information I found. This was incorporated into
the book introduction, including why the town is named St.
Elmo. Most of my edition books have been photographic. But
I felt these images would be great as watercolors. I created
the watercolor effect in a computer photo manipulation program.
When I printed out the first proof, I knew I wanted to keep
a copy of this book for myself. So the one-of-a-kind became
an edition. Often one of the problems with little books is
doing justice to some photos especially horizontal images
in a vertical format book. This book solves that problem
with the first and last photos, which are of the town from
the entering and exiting point of view,
each on a 3-page spread that unfolds from the book spine.
The top and bottom of the pages are torn edges to give a
softer look and feel. St. Elmo is 2.25" x 2.67",
it has 28 pages with 7 watercolor illustrations by Jill Timm.
St. Elmo has a 2-page introduction, and a colophon. The boards
are covered with Beckett embossed and Cave paper with the
natural deckled edge. The book is printed using Giclee, a
museum quality digital printing method, on Hahnemule Allegretto
paper. Limited to an edition of 35, these books are all hand-crafted.
Oh, and that book with the frost-encrusted leaves didn't get made...Yet. |